Twitter Weekly Updates for 2010-03-07

March 7th, 2010
  • In Photoshop, Ctrl + Alt + Z will back up through history one step at a time. #

Non-destructive Dodge and Burn in Photoshop

March 6th, 2010

While we’ve been talking about the Dodge and Burn Tools in Photoshop, what hasn’t been said is both of these tools use what is called a destructive technique. That means you should have made a copy of your original image before working on it because the Dodge and Burn Tools will change the pixel information permanently. The only way to undo any changes is to back up using the history while making your edits. (In Photoshop, Ctrl + Alt + Z will back up through history one step at a time).

If you’re making just a few changes, this may work for you however, there are those who prefer to always use a non-destructive edit technique using layers.

There are a few different methods available for non-destructive dodge and burn, but by far the easiest in my mind is painting with soft light.

To use this method, create a blank layer and set the blend mode to soft light and then set the fill to 50% gray. If you’re using Adobe Photoshop Elements 7, this can be done in one step by going to the menu bar and selecting Layer => New => Layer… and on the dialog box that opens, change the Mode drop down box to Soft Light and then tick the check-box to Fill with Soft-Light-neutral color (50% gray).

Now you’re ready to make your dodge and burn corrections. Set your brush color to black and set the opacity of the brush to 20-25% . This will act like the burn tool when using it, darkening the areas in the image where you apply brush strokes.

To dodge, set your brush color to white, leave the opacity of the brush the same (20-25%) and apply strokes to the areas of the image where you want to bring up the highlights.

The beauty of using this method is you can get a quick comparison of your correction work by turning the visibility of the gray layer off and on.

Now, go dodge and burn those photos you know need some work.

photoshop tutorials

Soft light adjustment layer turned off

photoshop tutorials

Soft light adjustment layer turned on

When Should Dodge and Burn Be Used On Your Photos?

February 27th, 2010

Dodging and burning in the darkroom required a lot of patience and skill. Fortunately Photoshop makes the process infinitely easier and accessible to anyone with a computer.

The Dodge Tool lightens underlying pixels giving a underexposed look and the Burn Tool darkens the pixels giving a richer, overexposed appearance. Both tools are used by setting a brush size and applying in strokes. In addition, you set these tools to affect highlights, shadows, or midtones so you don’t have to be so careful when applying changes. It’s also a good idea to set the Exposure in the Options Bar to a low number so your changes are more gradual with each stroke.

There are many situations where the Dodge and Burn Tools can be used to improve your photos by adjusting the tonal quality of selected areas. For instance, photos taken with a flash can often be overexposed in the foreground or underexposed in the background. People standing closer to the camera flash can be darkened by using the Burn Tool if they appear too light. Those standing further away from the flash can be lightened by using the Dodge Tool if they appear underexposed.

Another instance where dodging and burning comes in handy is in correcting an image to improve the focal point of the image. As an example, take a look at the following picture of a barn at the base of the Teton Mountains in Wyoming.

Dodge and burn using Photoshop

Before and after using Dodge and Burn Tools in Photoshop. Click to enlarge.

Notice the detail is practically lost in the dark shadow of the barn face. With just a little dodging, that area becomes a bit lighter and the details emerge once again.

Off to the extreme left of the barn you see what looks to be the metal roof of another barn glinting in the sun. Here the burn tool is used to tone down the brightness so as not to distract the eye so much when looking at the entire composition.

By adjusting the light and dark areas of your images using dodge and burn, a good picture can be made into a perfect print which reproduces all the tones in the original scene without any one area competing for undue interest.

Next: Non-destructive Dodge and Burn

Twitter Weekly Updates for 2010-02-21

February 21st, 2010
  • Photoshop quick tip: Toggle between dodge, burn and sponge tools using Shift + O. #
  • Photoshop tips: Dodge, Burn and Sponge tools are also known as toning tools. #

What is Dodge and Burn?

February 19th, 2010

Dodge and Burn. Even though it sounds more like something that might happen in the field of sports or perhaps slang used by state highway troopers, these terms actually refer to photo image manipulation.

Back in the day when the only way to see your photograph was to have it developed in a darkroom, photographers would manipulate the amount of light shining through the negatives being printed to vary the exposure of selected areas on the photographic paper.

This process took place in the printing darkroom where a light source from an enlarging lens shines through the film negative and onto a sheet of photosensitized paper. Photographers used any material with some amount of opacity to hold between the enlarger lens and the photographic paper. By dodging underexposed areas, light was prevented from hitting the paper thus saving some of the details that otherwise would have been too dark to see.

Burning is the opposite of dodging, where areas of the print were deliberately exposed to more light thus making those areas darker on the final print.

White House Ruin by Ansel Adams

White House Ruin by Ansel Adams

Yes, I know this can sound confusing with all the negative, positive, light and dark talk. I find it easier to remember by thinking of burning as making things darker. Getting a sunburn makes your skin darker. And if you dodge under the beach umbrella and stay out of the sun, you will stay lighter. Okay, I’ll admit that experienced photographers might think that analogy kind of dumb, but you see what I mean.

In creating many of his famous prints, master photographer Ansel Adams used dodging and burning to manipulate his images in the darkroom and even wrote a book on the subject, The Print.

Lucky for us, we don’t have to use a darkroom to achieve the right dodge and burn effects on our digital photos.

Coming next: How to Dodge and Burn in Photoshop.

Twitter Weekly Updates for 2010-02-14

February 14th, 2010

Free Photoshop Shapes, Styles, and Brushes for Valentines Day

February 10th, 2010

Valentines Day is this Sunday so we put together a nice compilation of free Photoshop Styles, Shapes, Patterns, Brushes and Templates with a romantic theme. These are all free from the Adobe Exchange. If you haven’t already, take a couple minutes to register and download these cool Photoshop add-ons.

Valentines Day
Valentine Patterns and Background
Valentines Box
Heart Swirls
Candy Hearts
Satin Heart
Heart to Heart
TVI Valentines

Change Photoshop Brush Size Using Shortcut Keys

February 2nd, 2010

Did you know that you can change your Photoshop brush size by pressing the left and right bracket keys? The left bracket [ makes the brush size smaller and the right bracket ] makes the brush larger. What’s really cool about this shortcut is the incremental changes directly correspond to the size of the brush. So if you’re working with a very small brush, it only changes the size by a few pixels but when working with brushes over 300, the change increments by 100.

These shortcut keys work with both Photoshop and Photoshop Elements. If you aren’t used to changing your brush size by using these shortcut keys, give them a try. You’ll wonder why you haven’t been doing this all along.

Fix Overexposed Photos in Photoshop

January 25th, 2010

It’s that one of a kind shot you got on your last vacation but it’s over overexposed. What do you do now? Here’s a quick tip to salvage that photo and make you look like an expert photographer.

There are two quick steps to fix the photo. With your image file open, duplicate the layer by selecting Layer » Duplicate Layer on the navigation bar.

Photoshop Layer Blending

Now that you have a second layer, click the drop down arrow and change the blending mode on that layer from Normal to Multiply.

That’s it! I said there were only two steps. Now go try it on your photo.

Fix Overexposed Photo in Photoshop

Fix Overexposed Photo in Photoshop

Digital Photo Editing – What is Digital Resolution?

January 18th, 2010

Have you edited a photograph on your computer and when you went to print it, it was just a tiny image on the page?  Ever wondered why your mother’s e-mail in-box rejects the photos of your kids ?

If you are just getting started with Digital Scrapbooking, then this elementary lesson is for you.  It is simpler than you might imagine.

Digital Resolution

A pixel is the name of the tiny dots that make up an image. The word “pixel” is computer speak meaning picture element and generally is the smallest part of any type of digitally represented image.  People are easily confused because the word pixel assumes subtle differences in meaning depending on the context in which it is used such as in printed images or the megapixels in a digital camera.

To simplify this discussion, just think of a pixel as a tiny point of light or color representing a very small component of a much larger image.

People also talk about resolution when referring to pixels.  Resolution is a measurement of how many pixels fit into a certain defined space. You may have heard of “dots per inch” (DPI) or “pixels per inch” (PPI) and the meaning of these two terms adds to the confusion because once again it depends on the context in which the term is used.

Let’s simplify once again by saying that image resolution is an expression of how much detail an image holds.

Our televisions, computer displays, cell phones, and even digital cameras are full of pixels – thousands and thousands of them all crammed together so closely it fools the human brain into thinking these tiny dots are a smooth image.  These digital images appear just about anywhere we look in our technology filled world, from our PDAs to our car dashboard to the giant electronic billboards on display along the highway or in New York’s Times Square.

The more pixels in an image, the smoother the picture looks.  On the other hand, if the number of pixels is too low, the image quality degrades.  So you may be able to distinguish the individual dots in a microwave display but a printed digital photo looks as smooth as glass.  A pixelated image results when the pixel count is so low, you can see the jagged edges.

Digital cameras have made sharing photos easier than ever.  No longer do you have to get film developed and multiple copies printed.  Today, many people share their photos through email and social network sites. However, before doing this the image taken from the digital camera is usually downsized.

Digital cameras are built to duplicate film camera quality and therefore capture images with a huge pixel resolution. Compare that to nearly all home computer screens that have a low pixel count, normally under 100 pixels in an inch.  Displaying high resolution images on a low resolution device results in an image that appears much larger on the computer screen.  Digital cameras capture images at high resolution to make possible photographic quality prints. But e-mailing this large image file will use megabytes of data and many e-mail clients will disallow it.

Image Resampling

The answer is to resample the image which is computer speak for altering the resolution.  Decreasing the pixel count will make the image appear normal on a computer monitor.  And this will allow you to e-mail Mom with the hottest family photos from your latest vacation.  But after resampling the image, don’t expect to get a good photo any longer since you’ve taken out too many pixels.

So here is the fundamental point to remember. Digital images that will be printed need to be at a high resolution while images displayed on a computer monitor need only a low resolution.

If you choose to do both of the above, make a copy of your original digital image for experimenting with.  Besides allowing for both printing and viewing images correctly, this is also a well  recommended backup plan for all of your digital photographs.

Now you are ready to take lots of digital photographs and be able to print and share them without further hassles.